It takes some serious testicular fortitude to finally put down the red pen and grudgingly hand over a piece of writing for a critique. Sometimes it feels like you’re packing your little story a lunchbox, tying its shoelaces and ruffling its hair before showing it out of the trenches and into No-Man’s-Land. Or maybe a better metaphor is arming it to the best of your abilities and kicking its tail into the Colosseum where hungry lions were just finishing up on Christians and looking for dessert.
I fall prey to a common plague of writers, of constantly revising and rewriting. But if you polish a rock too hard, you’re left with nothing. (Fuck me sideways with a chainsaw, that was deep. Like Marianas Trench-deep. Maybe I’ll write a book of proverbs for y’all.) But for my Fiction class, we’re forced to workshop a story with the rest of the class. And that feedback is priceless.
My workshop was last week, and I submitted a story titled Treadmills for the workshop last week. And it went well – everyone seemed to like it, but more importantly I picked up a lot of useful criticism about the piece. Think, like, the opposite of comments on YouTube.
It’s funny – how everyone picks up on the littlest things. A throwaway, sarcastic line convinced some readers of a subplot of a relationship between two of the characters – something I never intended, but might explore in a later draft. Or not. That’s the beauty of it – between all the marked up copies I received and the notes I took during the workshop (in which I had to sit silently, sort of prowling around the outside of the circle and making menacing looks at those who I thought didn’t get it, until the teacher politely asked me to stop growling at students) I have so much to work with that I can adopt or ignore each piece of feedback.
The story, by the way, was one of the first literary stories that I’m truly proud of – after another revision I’m hoping to start submitting.

Documentaries rock.
